Reviews are withheld and ads rejected for fear of facing up to what ‘abortion rights’ mean in practice.
“Gosnell” is a difficult film to watch, not because of what appears on the screen—it’s rated PG-13—but because of what is left to the viewer’s imagination. This might explain why the theater where I caught the film Friday was mostly empty. But other explanations are worth considering.
Kermit Gosnell, who was convicted of murder following a two-month trial in 2013, is currently serving a life sentence in prison with no possibility of parole. He was an abortion doctor based in Philadelphia, where state law prohibits the procedure beginning at 24 weeks gestational age. By his own admission, Dr. Gosnell regularly performed illegal late-term abortions, mostly on low-income minority women. In some cases he would induce labor, deliver live babies, and then kill them by snipping the backs of their necks with scissors.
Nick Searcy directed the film, based on a book of the same title by a married couple of investigative journalists from Ireland, Ann McElhinney and Phelim McAleer. In an essay last month, Mr. Searcy explained why he was drawn to the subject. “It is nearly impossible to find an adult person who does not have an opinion on the issue of abortion,” he wrote in National Review, “and yet how little we all know about it—how it is done, what the laws are surrounding it, how it is regulated, legislated, and practiced. I wanted to share that knowledge.”
Continue reading the entire piece at The Wall Street Journal
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Jason L. Riley is a senior fellow at the Manhattan Institute, a columnist at The Wall Street Journal, and a Fox News commentator. Follow him on Twitter here.
This piece originally appeared in The Wall Street Journal